The Red Cross Museum had been on the top of my list since I first landed in Geneva - but, honestly, it took me a while to muster up the time and emotional energy to tackle it. After visiting, I can say that I highly recommend it.
The museum is modern, stylish, and interactive, and your ticket comes with a free audio guide that speaks automatically as you move through the museum.
The museum is divided into three parts, following three main pillars of the organizations: reuniting families, reducing natural risks, and restoring human dignity. There is also an interactive room near the entrance that lets you follow the details of the past 150 years of the Red Cross’s work around the world.
First I explored the section on defending human dignity. The museum starts with a history of the Red Cross and international humanitarian declarations and conventions, which is pretty darn cool. One thing I always forget is just how old the Red Cross is – for some reason I assume it came out of one of the World Wars, but it was actually conceived by Henri Dunant following his observations at the Battle of Solferino in 1859, part of the Austrian-Sardinian War. The organization has undergone many transformations over the years and now consists of 97 million volunteers and members worldwide. There was the original copy of the Geneva Convention – nerd alert! Next came a room which largely featured artwork and handicrafts created by political prisoners and displaced individuals. There was also a section where you could listen to different witness testaments about a wide range of experiences.
Next I visited the section of reuniting families, which started with an impressive display of about 6 million identification cards for 2 million individuals missing the wake of the first world war. The audioguide walked you through an exercise on searching and cataloguing these old cards before jumping to more modern-day methods of identification, including photo walls and the Red Cross’s current online database. Perhaps most moving was a display of real letters written from displaced individuals and delivered back to their families through the Red Cross – from current day crises all the way back to World War II. Some were written by children, reassuring their parents that they were safe – so strange to see familiar childlike handwriting staring at you as a memory of a horrible conflict.
At this point I had to take a moment to stop and collect myself – there was a wall of photographs of children displaced from their families during the Rwandan genocide, and most of those children were my age, as photo identification was a tool primarily used for children too young or too traumatized to provide identifying details about their families or homes. At a time when I was entering preschool, these unknown peers of mine were lining up to be photographed in a desperate search to find their parents or confirmation of their parents’ deaths.
The final section on reducing natural risk was pretty funny – I know, unexpected. But it featured a wall of vintage nutrition and sanitation posters, followed by some very strange digital stop-motion displays about alert systems and human sanitation.
Overall, a worthwhile visit – though be prepared for some reflective, slightly depressed time, especially when you realize how many of these humanitarian crises the US has been involved in or remained silent to.